Erotic triangles : Sundanese dance and masculinity in West Java /

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Bibliographic Details
Author / Creator:Spiller, Henry.
Imprint:Chicago : University of Chicago Press, 2010.
Description:xvii, 251 p. : ill. ; 24 cm.
Language:English
Series:Chicago studies in ethnomusicology
Chicago studies in ethnomusicology.
Subject:
Format: E-Resource Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/8445034
Hidden Bibliographic Details
Varying Form of Title:Sundanese dance and masculinity in West Java
ISBN:9780226769585 (cloth : alk. paper)
0226769585 (cloth : alk. paper)
9780226769592 (pbk. : alk. paper)
0226769593 (pbk. : alk. paper)
Notes:Includes bibliographical references (p. 223-238) and index.
Summary:In West Java, Indonesia, all it takes is a woman's voice and a drum beat to make a man get up and dance. Every day, men there, be they students, pedicab drivers, civil servants, or businessmen breach ordinary standards of decorum and succumb to the rhythm at village ceremonies, weddings, political rallies, and nightclubs. The music the men dance to varies from traditional gong ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. In Erotic Triangles, Henry Spiller draws on decades of ethnographic research to explore the reasons behind this phenomenon.
Review by Choice Review

This is another valuable contribution in the "Chicago Studies in Ethnomusicology" series. A key distinction of Spiller's book is its focus on dance rather than music. Spiller (music, Univ. of California, Davis) draws from three decades of experience with Indonesian music to examine the phenomenon of men's affinity with dance in Sundanese culture. His exploration deals with music from the simplest of traditional forms to the most modern pop style, dangdut. Spiller's primary aim is to understand why men are so comfortable with dance in nearly any context. To explain this phenomenon, he draws primarily from Eve Kosofsky Sedgwick's Between Men (CH, Oct'85), which looks at dance in a European context. Sedgwick's work was inspired by a model of power put forth by Rene Girard, which Spiller interprets in relation to Sundanese dance and masculinity. This theoretical book is not for the casual reader; it assumes familiarity with Sundanese culture. The photos and musical figures that complement the discussion are necessary for a clear understanding of the material. Summing Up: Recommended. Graduate students, researchers, faculty. A. C. Shahriari Kent State University

Copyright American Library Association, used with permission.
Review by Choice Review